Allegheny College Choral Ensembles Winter Concert

The Allegheny College Choral Ensembles will perform their bi-annual free concert at 3:15 p.m. Saturday, December 2, in Shafer Auditorium. The Allegheny College Chorus, Chamber Choir, Women’s Ensemble, Men’s Ensemble and College Choir, will each perform several works in a variety of styles, from madrigals to sea shanties, featuring seven languages in the repertoire. The concert is free and open to the public.

The College Chorus, including students, Allegheny faculty, and Meadville community members, will begin the afternoon program. They will open with “Gloria in Excelsis Deo” by Josef Haydn from Heiligmesse, accompanied by Dill on piano, as well as “Early One Morning,” an arrangement of an Old English song by Frank Ahrold.

The Chamber Choir will then perform, showcasing pieces such as “Dixit Maria” by Hans Leo Hassler, which epitomizes late-Renaissance choral writing. They will finish with “Salmo 150,” composed by Ernani Aguiar, which features Latin-American dance rhythms.

To finish the first half of the program, the Women’s Ensemble will dive into the Russian language with “Chorus of Peasant Girls” from Tchaikovsky’s opera “Eugene Onegin.” They will round out their set with the world premier of “Mi Ze Hidlik,” a Haukkah poem by a 20th century rabbi, paired with a lilting Israeli folk melody, and arranged by Kevin Dill.

The Men’s Ensemble will open the second half by performing “God Rest Ye Merry.” They will also feature “Karitas Habundat,” in the style of liturgical chant, as well as a sea shanty titled “A-Roving,” arranged by well-known conductor Roger Wagner, which will feature baritone Ken Kutzer ’18.

The College Choir will then perform “Citadel Hill” accompanied by Ward Jamison on piano, a boisterous folk song from Nova Scotia in a recent arrangement by award-winning composer Mark Sirett. They will then demonstrate their command of the German language with “Der Gerechte Kommt Um,” a poignant a cappella setting of verses from the book of Isaiah by baroque composer Johann Kuhnau.

To conclude the concert, all will converge on stage in a choir of 101 voices to perform two songs, conducted by Jamison – “Welcome Yule” by Williametta Spencer, and “Hallelujah, Amen” from Judas Maccabeus by George Frideric Handel. Dill will accompany the ensembles on piano.

Source: Academics, Publications & Research

Allegheny College Wind Symphony

The Allegheny College Civic Symphony with 43 students and the Wind Symphony with 83 students will perform on Sat., Nov. 18, and Sun., Nov. 19, respectively, beginning at 3:15 p.m. each day in Shafer Auditorium. Both concerts are free and open to the public.

Source: Academics, Publications & Research

Allegheny College Civic Symphony

The Allegheny College Civic Symphony with 43 students and the Wind Symphony with 83 students will perform on Sat., Nov. 18, and Sun., Nov. 19, respectively, beginning at 3:15 p.m. each day in Shafer Auditorium. Both concerts are free and open to the public.

Source: Academics, Publications & Research

Allegheny College Civic Symphony, Wind Symphony to Perform

The Allegheny College Civic Symphony with 43 students and the Wind Symphony with 83 students will perform on Sat., Nov. 18, and Sun., Nov. 19, respectively, beginning at 3:15 p.m. each day in Shafer Auditorium. Both concerts are free and open to the public.

The Civic Symphony is led by Dr. Jennifer Dearden and will feature Allegheny alumnus and music faculty member Tom Leech ’86 as a horn soloist. The Wind Symphony is led by Professor of Music Lowell Hepler,  who is also director of bands at Allegheny College.
The Civic Symphony Orchestra performance consists of Symphony No. 101 “The Clock” by Franz Joseph Haydn, “Horn Concerto No. 1 in D” by Wolfgang Amadeus Mozart (featuring horn soloist Leech, adjunct music faculty), “Two Songs Without Words” by Gustav Holst, “Perpetuum” by Paul Barker, and “City of Steel” by Doug Spata.

The Wind Symphony begins with “Mayflower Overture” by Ron Nelson. Following will be “Of Sailors and Whales” by Francis McBeth, “October” by Eric Whitacre, “March des Parachutistes Belges” by Pierre Leemans, “Vesuvius” by Frank Ticheli’s, “Keystone Post March” by Olan Butt, a former teacher of Dr. Ronald Stitt, assistant director of bands at Allegheny. Stitt wrote the arrangement, and he will conduct the performance.

There also will be an “Overture on Themes” from the “The Wizard of Oz.” Featured melodies will include “Ding, Dong, The Witch is Dead,” “We’re Off to See the Wizard,” “The Merry Old Land of Oz,” “If I Only had a Brain,” and “Somewhere Over the Rainbow.”

Source: Academics, Publications & Research

Allegheny’s Instrumental Chamber Ensembles to Perform

Allegheny’s Instrumental Chamber Ensembles will perform their biannual concert in Ford Memorial Chapel on Thursday, Nov. 16, at 7:30 p.m. The concert is free and open to the public.

There are six groups performing: the Woodwind Quartet, Trumpet Ensemble, Flute Ensemble, Saxophone Ensemble, Clarinet Ensemble, and Brass Quintet. Each ensemble works with one of three faculty coaches, either Bronwell Bond, Jennifer Dearden, or Julie Hepler. Bond will serve as conductor of the Flute Ensemble for the performance.

The groups will perform a variety of music from composers such as J.C. Bach and Giuseppe Verdi, to Mozart and the Beatles. Together, they have 29 students involved, and two community members. A few students participate in more than one ensemble.

Source: Academics, Publications & Research

Allegheny Presents First ‘Unusual Combinations’ Piano Competition

Allegheny College will present its first biennial “Unusual Combinations” Piano Competition on Saturday, Nov. 11.

The competition, sponsored by Kawai America Corporation, features top high school student pianists from western Pennsylvania and eastern Ohio. Two of the judges, Jonathan Kuuskoski and Paola Savvidou of the New Muse Piano Duo, will kick off the competition with a free recital entitled “Music of the Future: 21st Century Piano Music” on Friday, Nov. 10, at 7:30 p.m. in Ford Memorial Chapel.

On Saturday, the final round of the competition is a free recital open to the public at 3 p.m. in Ford Memorial Chapel, featuring the top six to eight performers from preliminary rounds held in the morning. In addition to sponsoring the first prize cash award, Kawai has also loaned a Shigeru Sk-6 piano for use in the competition and the rest of the academic year.

Savvidou previously served as assistant professor of Piano Pedagogy at the University of Michigan, and now as wellness coordinator and global engagement advisor for Michigan’s School of Music, Theater & Dance. Savvidou utilizes Laban Movement Analysis, yoga, and creative movement as part of her teaching strategy to improve alignment as well as deepening expressivity in performance.

Kuuskoski is the interim chair of the Department of Entrepreneurship and Leadership and director of the EXCEL Lab at the University of Michigan School of Music, Theatre & Dance. Prior to his tenure at Michigan, he served as director of Entrepreneurship and Community Programs at the University of Missouri School of Music, where he designed and implemented all aspects of their new Music Entrepreneurship program.

Together, Kuuskoski and Savvidou perform as the New Muse Piano Duo, based in Ann Arbor, Michigan. The ensemble is dedicated to commissioning and performing newly composed works for four-hands and two pianos, with particular interest in exploring the piano in its fullest capacity as a string, percussion, and keyboard instrument.

“Both exemplify the idea of ‘Unusual Combinations’ in their own careers, which is why I asked them to judge the inaugural competition,” said Douglas Jurs, assistant professor of music and piano, who organized the competition. “They have both coupled diverse interests in combination with music to forge successful careers that encompass performance, teaching, and creative entrepreneurship.”

Kuuskoski will be in residence on Friday to work with Allegheny students interested in pursuing a profession in the creative or performing arts. He will hold an interactive workshop on Friday at 3 p.m. in the Campus Center room 206, called “Shooting for the Moon: Reversing Career Assumptions to Achieve the Impossible.” The presentation explores a step-by-step process for inspiring students to identify one big career goal, reverse assumptions about that goal, and convert what may seem like an “impossible” idea into a realistic, and potentially innovative, pilot project. Students interested in pursuing a profession in the creative or performing arts, as well as students interested in pursuing entrepreneurial endeavors after graduation, are especially encouraged to attend. Refreshments will also be served during the workshop.

On Saturday, Savvidou will hold an additional optional interactive workshop called “Move Your Way Through Stress” from 1 to 2 p.m. in the Wise Center Dance Studio. It is open to competitors, parents, and the Allegheny community. Savvidou recommends participants wear clothes they can move in.

Savvidou and Kuuskoski will be joined as competition jurors on Saturday by Allegheny’s Alec Chien, the third judge. Certainly no stranger to Meadville audiences, Chien first came to prominence upon winning the gold medal at the 1986 Gina Bachauer Competition, beginning an intercontinental career. After years of traveling for concerts across the world, he came to Allegheny to teach as artist-in-residence and professor of music. Retiring in 2016, Chien  continues to be active as a performer, teacher, and Meadville community advocate.

Competitors will perform at least two contrasting pieces memorized from two different composers, lasting from between six and 12 minutes. There are two rounds, the preliminary round in the morning, and the final round a recital in the late afternoon that will be live-streamed online. There are over $10,000 in prizes and scholarships offered, including a $1,000 First Prize, and several Allegheny Music Department Scholarships.

The competitors also have the option of entering to win the Unusual Combinations Prize by either writing a short essay or presenting a visual, which show how music and another personal passion intersect in the student’s life. Faculty from Allegheny will judge the entries.

The Unusual Combinations Prize and competition finalists will be announced at 2 p.m. Saturday, prior to the final round of performances at 3 p.m.

Source: Academics, Publications & Research

Allegheny Jazz Band to Perform Annual Concert

The Allegheny College Jazz Band will perform their annual fall concert on Sunday, Nov. 12 at 3:15 p.m. in the lobby of the college’s Henderson Campus Center. The concert is free and open to the public.

The program repertoire includes, “The Way You Look Tonight,” “I Dreamed a Dream,” “The Chicken,” “The Way We Were,” “Big Swing Face,” “Groovin’ Hard,” “How Deep is the Ocean,” “Spinning Wheel,” and “Cheesecake.”

Instrumental soloists and a vocal soloist will be showcased.

Prior to the Jazz Band performance, the Mallet Ensemble will perform, beginning at 2:30 p.m.. Performance repertoire includes “Rainbows,” “Evening Prayer,” “Little Fugue in G Minor,” and “The William Tell Overture.”

Both performing ensembles are under the direction of Stephen F. Corsi.

Source: Academics, Publications & Research

The Allegheny College Jazz Band will perform their annual fall concert on Sunday, November 12, 2017 at 3:15 p.m. in the lobby of the college’s Campus Center. Instrumental soloists and a vocal soloist will be showcased. Prior to the concert, the Mallet Ensemble will perform at 2:30 p.m.

Both ensembles are under the direction of Stephen F. Corsi. The concert is free and open to the public.

Source: Academics, Publications & Research

Unusual Combinations Piano Competition

Allegheny College will host the first biennial Unusual Combinations Piano Competition on Saturday, Nov. 11, in Meadville. The competition for high school students features more than $10,000 in prizes and scholarships. For more information, contact Douglas Jurs at djurs@allegheny.edu or visit allegheny.edu/pianocompetition.

Source: Academics, Publications & Research

Leaving Home

29 May 2017

Stella on Lake Tekapo

Queenstown was the perfect conclusion to our wonderful adventure. The drive itself was phenomenal – we took the longer route, to drive through the Southern Alps and get to see sights such as Lake Tekapo and the lovely stone church by its shore. By the time we’d gotten to Queenstown it was dark, so when the sun rose the next morning we weren’t prepared for the incredible beauty surrounding us. The town is nestled along Lake Wakatipu, surrounded on all sides by the Southern Alps, with the buildings picturesque and staggered so that every window has a spectacular view of the waterfront. We began early with a jet boat ride around the lake, and it was early and cold enough that in some areas clouds still lingered on top of the water, creating a dreamlike atmosphere with the sun shining through. Following that we found a delicious coffee/gelato/chocolate shop – Patagonia Chocolates – before riding gondolas up to one of the mountaintops. The day was clear, sunny and crisp, and looking out from the mountain over the city, the lake, and the surrounding Southern Alps was spectacular, but then we were all able to ride the luge track which followed the side of the mountain. It was hard to focus on the driving – the view was too distracting! Following that we ate lunch overlooking the Cliffside, and were able to watch parasailers glide down across the town.

Lake Wakatipu

Then came the time for our final concert. We all anticipated devolving into tears at the end, but we somehow still gave the best concert of our entire trip. We sang in a small, gorgeous stone church, and the combination of high emotions, perfect architecture, and joy from that day’s adventure was just so to allow us to put on an incredible performance. Then it came time for the “Nunc Dimittis” – the song written by Morten J. Luvaas for the original Allegheny Singers, which has since been sung after every Allegheny Choir concert. To say the least, the song has a very special place in all of our hearts. Before we could start, however, the pastor of the church stood up to give us wonderfully touching and praising words, which unfortunately just got us all that much closer to tears. Professor Niblock had us sing a short and lighthearted song after that, only to try and calm us before diving into the emotional conclusion to our concert – our last performance in New Zealand, and the last Allegheny Choir performance for those who graduated. It went about as well as expected – the singing was still lovely, though with much additional vibrato from trying to hold back the sobs (somewhat unsuccessfully). But when it ended, though we were all in tears, every face was smiling and full of joy and love.

Now, sitting in the San Francisco airport back on US soil, though I already desperately miss New Zealand, I cannot get over the feeling of peace, of happiness, and satisfaction that those two incredible weeks gave me. That place has a kind of magic to it that has become embedded in each one of the chamber choir members, and that won’t leave us for the rest of our lives. We have made memories and connections that will last forever, and I cannot truly express how thankful each of us are for the gift that New Zealand was. All I can say at this point is I’ll be back – New Zealand holds my heart.