In a series of extraordinary poems based on Dante’s Inferno, veteran journalist Thomas Flynn documented his harrowing experiences on the morning of September 11, 2001. Quickly, Flynn moved from being a reporter and neutral observer standing apart from the event, to a participant, survivor, and defining chronicler of that fateful day. This theatrical staging of Flynn’s work relates “the tale as it happens, not only its extremities and cruelty, but also the goodness that flourishes too.”